NaNoWriMo is Upon Us

2011
10.21

Ten days from now, National Novel Writing Month begins. For anyone who has ever made the statement, “I’ll write a novel someday”, well, November is the month to write that some day novel. I have enlisted the utterly obscure, eccentric, music archeologist, Dr. Ephriam Bowen to write with me this year. He will have to find his way from a secretive excavation site in Central America to make meetings here in the states, but he has generously committed to do so. This shy, pith-helmet adorned fossil has much to say and I look forward to hearing his story. The following is just a glimpse of what the novel will reveal:

EB Note Top“I have been too busy and too excited to journal this week. We have discovered additional evidence of the reverence that the Uxmalico community placed on music. As hundreds of years of burial fill and dust were painstaking shaved from the base of a test pit, just a fraction of an inch at a time, a large ceramic shard overcame its shyness to bring smiles and cheers to the whole team. Wind of Macaw GlyphStaring up from centuries of silence appeared a glyph bearing the classic image of a Macaw playing a horn flanked by a graphical symbol reserved for identifying brightness of gods. On the horn is a simple arc and half-moon that can be translated breath or wind. A tiny inscription near the base of the horn is not completely discernible, but may be significant upon closer exam.

Surely it is mere coincidence that a calm day was interrupted by a gentle breeze and the flutter of wings as we gathered around the excavation’s prize. But I cannot help but to interpret this finding as another indication that music played a part in the mysticism of this culture. The scribe who painted this glyph has not been identified and the crudeness of the style may be an indication of youth, inexperience, or perhaps a caste who was not considered worthy of contributing to the permanent record. We continue to excavate and will expand the tests to the edge of a square depression that borders the hostile overgrowth.”
EB Signature

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Wealth & Poverty – Reflection

2011
10.12

 - Weath & PovertyI was 15 years old when I first traveled to Central and South America. The experience broadened my horizons more than any single event in my entire pre-college experience. There were 100 of us..Boy Scouts selected from every state to represent the US at the First Pan American Boy Scout Jamboree hosted in Rio de Janerio. Our travels took us to some beautiful places and that included impressive places in and around Caracas, Venezuela.

I remember being escorted to La Rinconada horse track. It was fairly new at the time and perfectly manicured…an absolute garden of color surrounded by pristine architecture. Just beyond the beauty of the track were brown, boulder-covered mountainsides that seemed to have an odd texture peeking through gray-blue clouds that hung close to the ground. The reality of what I was seeing, however, was not a natural rock formation covered in fog, but shacks of poverty-stricken people built one on top of another, visible through the smoke of cooking fires, as far as I could see across the valley and leading down to the edge of the city’s high-rise buildings. Obviously, it made an impression on me.

This project is a reflection of that experience. The 15 tall bottles assembled in some fashion will create the silhouette of a city skyline. The skyline provides a background canvas for a subtle, second, textured skyline that terminates in a clutter of smaller houses and shacks protruding slightly from the base of each bottle. The bottles can be rotated in any number of arrangements and the basic result is the same. The power and wealth of the skylines will always dominate the poverty of the slums in their shadows.

With the amount of masking an multiple layers of sprayed glazes I anticipate doing, it will be another month before this project is ready to show. In the meantime, I’ll try to keep some progress images coming.

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Work in Progress

2011
09.28

When I proposed a thirteen bottle, sculptural piece as my initial clay project for this semester, I was thinking that a couple of hours on each bottle would get the job done. As it turns out, 5 to 6 hours of throwing, carving, and texturing to this point translates into the fact that not even the first, test bottle has been fired or glazed. All that to say, I need to get some images online for everyone to see the work in progress. It indeed has turned out to be a bunch of work!

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Processing Italy

2011
08.29

Paul - Sienna, ItalyLess than a week ago, Deb and I were traveling across Italy with the Belmont University men’s basketball team. It was quite a trip. We hit Milan, Lake Como, Sienna, Florence, Lucca, and Rome in glancing blows that would make even the most seasoned traveler’s head spin. I would be remiss if I did not add what a pleasure it was to be around the team, the coaches, and family members…a terrific group of people!

I will claim Florence as my favorite place and the city that I would most like to re-visit just to spend a week or two exploring in greater detail. Our hotel was just a block or two away from the Duomo in Florence, so walking was the perfect means to see the sights. I will probably NOT climb the narrow steps to the top of the cathedral dome again, but the view from the top was well worth the sweaty clothes and sore calf muscles. I would definitely allow for more time in the evening to eat and people-watch from a sidewalk ristorante or two.

Among the 700-800 images that I captured on the trip are just a few of me. This particular shot was taken by Cheryl Byrd during our brief stop in Sienna. It may have been the only time I was off my feet all day. The smile does tell the story of the trip. Great fun. Great company…and much to process.

Oddly enough, I don’t recall seeing any ceramic musical instruments during the trip…but there will be more coming soon from a clay lab here in the USA, I promise!

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Happy Blogversary!

2011
05.17

It is a massive celebration of one extra cup of coffee, but the fact that “M” is for Mugphlute made it through a year of monthly posts is fairly unremarkable.  Thanks to the many visitors who are interested  in ceramic musical instruments and my recent efforts to explore the world of whistling water vessels.  There are a few people who visit the site regularly and I appreciate the traffic.  It does encourage me to post.

Fowl MaskThis is the latest effort to emulate an ancient whistling vessel. Fowl Mask is a bottle within a bottle. The two separate bottle chambers act much like Peruvian water jars where water passing from one vessel to the other pushes a column of air toward a whistle construction (beneath the mouth and beak).  There is more work to be done on this piece and drying time before the first firing may take several weeks.

I will be experimenting with a new graphic transfer technique that involves powder-based photo copies and Mason stain.  There will be more on that later.

For now, Happy Blogversary!

Fowl Mask Top View Fowl Mask Close-up Fowl Mask Mouth

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Ceremonial Whistling Bottle

2011
05.02

Ceremonial Bottle - Whistling VesselThis a different sort of whistling vessel – ceramic musical instrument.  Only the fact that it plays two tones slips this into a category as an instrument, otherwise it is a tone sculpture.  Some 25+ wheel-thrown and hand-built pieces of stoneware were assembled to bring this piece up to its maximum height of 25 inches.  Now that it has been bisque fired to 1700 degrees (F), the actual height is closer to 23.5 inches.

This ceremonial whistling bottle sounds when one of two events happen.  By removing the small, stopper-head on the back side, the vessel can be filled with water.  After replacing the stopper, the entire piece can be rocked forward (ceremoniously bowing), until water escapes through the rolled tongue of the larger head at the top.  Due to the design of the tube that feeds the spout, a slight back pressure forces air up a second tube that will play the whistle locate beneath the surface of the nose on the larger head as the water flows from the spout.  The second way that this piece sounds happens when the partially filled vessel is rocked back to its upright position.  Air passing back through the tube and airway spout create a column of air that plays the whistle in the smaller bottle-stopper head. Yes. I know that sounds complicated… but it is that level of sophistication that the Inca figured out several hundred years ago.  That is a sophistication that I still find humbling in today’s world of high tech.

There are intentional sides to this piece that reveal characteristics of a woman, a posture of worship, a gargoyle-like protector, and the mechanical mysteries of sounding a tone and delivering a stream of water.  I will leave it up to Dr. Ephriam Bowen to tell the story behind this ceremonial vessel.  In the meantime, the stoneware survived its initial firing and awaits staining and glazing.  Pictures of the construction process will be coming soon.

 

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“M” is for Maquette

2011
04.06

I have some serious doubts that ancient, mesoamerican musical instrument builders spent time building maquettes of the ceramic musical instruments they created.  Maquette has French, Italian, and Latin genes, originally translated as “speck” or stain”. In contemporary use, it is more commonly used by architects and sculptors to mean a small-scaled, study model for a larger piece. Arguably, ancient Mayan and Incan musical instruments that feature a character holding/playing a much smaller ceramic musical instrument qualifies, I suppose, as a maquette.

Maquette and Sketches of Whistling VesselFor me, the retired architect, building a maquette for a complex piece that is intended to be both sculptural and functional makes sense. Certainly, sketches are my first step in visualizing what is coming from the mind’s eye and to establish some sense of scale, but there are other benefits. Clay is a very malleable and forgiving media that enables the artist to make mid-course corrections and changes in the designs. Building a small maquette helps to reveal some of those options that might otherwise hide themselves in a two-dimensional drawing.

The maquette and sketches in the picture on this post are for the whistling vessel that is currently under construction. Not wanting to fire the work in multiple pieces, the interior height of the electric kiln became a major factor in the scale of the project. Between the sketching and the constructing of the maquette, a number of changes happened to the original concept as the piece evolved into something that (potentially) will be an unusual whistling vessel. In this instance, the pouring of water through the vessel will play a tone as the water escapes the spout, and, the vessel will play a different tone through the stopper as the vessel is tilted back from a pouring position to its upright state. If it works, I will be thanking that Physics of Fluid Dynamics professor from decades ago. If it doesn’t work, I’ll be blaming the “C-” that I received in the course *grin*.